 | Das Liebesverbot (The Ban on Love, WWV 38), is an early comic opera in two acts by Richard Wagner, with the libretto written by the composer after Shakespeare's... 21 KB (2,979 words) - 03:03, 28 February 2024 |
 | Das Rheingold (pronunciation; The Rhinegold), WWV 86A, is the first of the four epic music dramas that constitute Richard Wagner's Der Ring des Nibelungen... 61 KB (7,782 words) - 19:17, 16 April 2024 |
 | Rhinemaidens (section Das Rheingold, Scene 1) characters seen in the four-opera cycle, appearing both in the opening scene of Das Rheingold, and in the final climactic spectacle of Götterdämmerung, when... 37 KB (4,713 words) - 15:57, 12 November 2023 |
 | musical director at the opera house in Magdeburg during which he wrote Das Liebesverbot (The Ban on Love), based on Shakespeare's Measure for Measure. This... 120 KB (14,187 words) - 00:31, 16 April 2024 |
 | other and sing their battle-cry. Apart from the song of the Rhinemaidens in Das Rheingold, it is the only ensemble piece in the first three operas of Wagner's... 8 KB (785 words) - 04:29, 10 March 2024 |
 | only comedy among his mature operas (he had come to reject his early Das Liebesverbot) and is also unusual among his works in being set in a historically... 50 KB (6,747 words) - 14:22, 16 February 2024 |
apogee in the early works of Richard Wagner, specifically Die Feen, Das Liebesverbot, The Flying Dutchman and Tannhäuser, although these differed from their... 2 KB (246 words) - 15:25, 4 May 2023 |
Breitkopf & Härtel. Jadassohn, Salomon. 1899d. Das Wesen der Melodie in der Tonkunst. Leipzig: Breitkopf & Härtel. Das Tonbewusstsein: die Lehre vom musikalischen... 38 KB (3,800 words) - 19:39, 24 November 2023 |
| Der Ring des Nibelungen (redirect from Das Ring des Niebelungen) to 1874. The four parts that constitute the Ring cycle are, in sequence: Das Rheingold (The Rhinegold) Die Walküre (The Valkyrie) Siegfried Götterdämmerung... 51 KB (5,579 words) - 11:30, 10 April 2024 |
 | Ferd. Heckel, Mannheim 1888. Retrieved 5 April 2009 Osborne, p. 9 Das Liebesverbot: Piano and vocal score ed. Otto Singer. Breitkopf & Hartel, Leipzig... 27 KB (1,503 words) - 15:41, 15 January 2024 |
 | "Das Judenthum in der Musik" (German for Judaism in Music, but perhaps more accurately understood in contemporary language as Jewishness in Music), is... 20 KB (2,732 words) - 04:45, 10 April 2024 |
 | preserved in the Richard Wagner Foundation. Structure of the Ring cycle Das Rheingold Die Walküre Siegfried Götterdämmerung The libretto of Siegfried... 17 KB (2,345 words) - 15:12, 25 March 2024 |
romantische Oper Die Feen (1833-1834; rev. 1834) 38 Große komische Oper Das Liebesverbot oder Die Novize von Palermo (1835–36) 40 Große Oper Die hohe Braut... 18 KB (203 words) - 18:03, 24 March 2024 |
 | Act III, when the Valkyries engage in frequent ensemble singing. As with Das Rheingold, Wagner wished to defer any performance of the new work until it... 47 KB (6,269 words) - 20:04, 1 April 2024 |
Early works Die Feen Das Liebesverbot Rienzi... 6 KB (459 words) - 11:40, 7 March 2024 |
 | Early works Die Feen Das Liebesverbot Rienzi... 25 KB (3,166 words) - 12:19, 27 March 2024 |
 | Early works Die Feen Das Liebesverbot Rienzi... 10 KB (1,041 words) - 19:43, 7 April 2024 |
 | Early works Die Feen Das Liebesverbot Rienzi... 3 KB (392 words) - 10:04, 30 July 2023 |
 | the musical influence of Il pirata on the early Richard Wagner opera Das Liebesverbot. Bellini spent 1827 to 1833 mostly in Milan, never holding any official... 24 KB (2,953 words) - 02:48, 13 March 2024 |
 | Archived from the original on 21 October 2010. Retrieved 25 December 2009. Das Rheingold and Die Walküre, the first two operas of the cycle, had premiered... 10 KB (1,141 words) - 05:08, 11 January 2024 |
 | Pompey and Georgie Glen as Mistress Overdone/Francisca. The opera Das Liebesverbot (1836) by Richard Wagner with the libretto written by the composer... 35 KB (4,298 words) - 03:24, 1 April 2024 |
| Several of his writings have achieved some notoriety, in particular, his essay Das Judenthum in der Musik (Jewishness in Music), a critical view on the influence... 29 KB (4,018 words) - 00:26, 8 January 2024 |
Letter, Paul Moravec, 2009 La liberazione di Ruggiero, Caccini, 1625 Das Liebesverbot, Wagner, 1836 Life is a Dream, Lewis Spratlan, 2010 The Little Prince... 52 KB (2,735 words) - 08:32, 1 April 2024 |
Early works Die Feen Das Liebesverbot Rienzi... 23 KB (620 words) - 20:08, 12 April 2024 |
 | Knapp, J. Merrill (Summer 1977). "The Instrumentation Draft of Wagner's "Das Rheingold"". Journal of the American Musicological Society. 30 (2). University... 16 KB (1,849 words) - 02:39, 13 April 2024 |
 | influences but says that, by avoiding the aping of Italian opera in Das Liebesverbot and of grand opera in Rienzi, the result was an opera more stylistically... 22 KB (2,924 words) - 19:31, 4 February 2024 |
 | thirteen that Wagner completed. He rejected the first three – Die Feen, Das Liebesverbot and Rienzi – as apprentice works. Although these have been staged elsewhere... 20 KB (1,789 words) - 00:43, 1 October 2023 |
 | "Abend am Meer" – text: Alfred Meissner 1897 "Schäfer und Schäferin" 1913 "Das Märchen vom dicken fetten Pfannekuchen", for solo voice and orchestra 1918... 8 KB (863 words) - 06:08, 11 April 2024 |
its revival in 1958 it has made frequent appearances on stage. 1835 Das Liebesverbot (Richard Wagner). An early work by Wagner loosely based on Shakespeare's... 82 KB (9,817 words) - 01:07, 1 April 2024 |
 | knows his name. Kundry tells him she learned it from his mother ("Ich sah das Kind an seiner Mutter Brust"), who had loved him and tried to shield him... 72 KB (9,346 words) - 20:19, 6 April 2024 |