Harold Charles Schonberg (29 November 1915 – 26 July 2003) was an American music critic and author. He is best known for his contributions in The New York...

Building a Firm Foundation". Music Educators Journal. 32: 30–35. Harold C. Schonberg (November 4, 1979). "Birgit Nilsson – The Return of a Super-Soprano"...

theatre Dietrich III von Schönberg, brother of Cardinal Nikolaus, appointed Bishop of Dresden-Meissen in 1463 Harold C. Schonberg (1915–2003), American music...

Wilkins (1893). Giles Corey, Yeoman: A Play. Harper & Brothers. Harold C. Schonberg (27 October 1961). "Opera: Robert Ward's 'The Crucible'; Work Based...

critic must have a very highly developed sense of fact". In 1971, Harold C. Schonberg, chief music critic of The New York Times from 1960 to 1980, said...

composition for piano by Russian composer Mily Balakirev written in 1869. Harold C. Schonberg noted that Islamey was "at one time…considered the most difficult...

particularly the works of Beethoven and Schubert. Music critic Harold C. Schonberg described Schnabel as "the man who invented Beethoven". Between 1932...

domination of chess". The Mohave Daily Miner. Kingman, Arizona. p. B2. Harold C. Schonberg (30 March 1985). "Top-rated at 15, Girl Challenges Chess World"....

coloration for bravura.[citation needed] Many critics, including Harold C. Schonberg and Richard Dyer, felt that his post-1985 performances and recordings...

died aged 94 of congestive heart disease at home in Palm Springs. Harold C. Schonberg called him a "super-virtuoso in the Horowitz class". Wild's memoirs...

recording of Bartók's Violin Sonatas Nos 1 & 2. American critic Harold C. Schonberg praised Kocsis' extraordinary technique and fine piano tone. According...

admired. Another influence is apparently Johann Nepomuk Hummel. Harold C. Schonberg, in The Great Pianists, writes "...the openings of the Hummel A minor...

Retrieved 2020-08-24. Harold Schoenberg. The Greatest Pianist of His Time. New York Times, 18 April 1976. Harold C. Schonberg, The Great Pianists from...

some of the definitive performances of these works. In the words of Harold C. Schonberg: "His tone was like the morning stars singing together, his technique...

Bartok's Second Concerto under Boulez with the New York Philharmonic. Harold C. Schonberg wrote that he "had not heard a stronger account". Pollini also conducted...

unconscious longing for a freedom denied to him by his stifling marriage. Harold C. Schonberg likens Carmen to "a female Don Giovanni. She would rather die than...

The New York Times. "N.E.T. Hits More High C's". The New York Times. July 26, 1970. Harold C. Schonberg (January 20, 1974). "Opera: The Ulysses of Claudio...

Rachmaninoff's Trio Élégiaque and Cello Sonata in G minor. American critic Harold C. Schonberg praised Moiseiwitsch's formidable technique and free approach to...

encyclopedia.com. Retrieved 2022-02-05. Cf. Harold C. Schonberg, The Great Pianists Harold C. Schonberg, The Great Pianists, p. 284. Arbiter Records...

authentic recording by Lipatti of the Chopin Concerto was found. Harold C. Schonberg wrote in 1953 "Lipatti, a master of the keyboard, would have developed...

also pp 85, 86, 94, 95, 146 and 157. Hollis Alpert, Ira Mothner and Harold C Schonberg. "The Pitching Wedge". How to Play Double Bogey Golf. 2nd Ed. Crown...

structure of a piece and revealed great clarity of detail." According to Harold C. Schonberg, Anton Rubinstein is reported to have said that "if Nikolai had really...

Bach's music, although he is not known to have performed it publicly. Harold C. Schonberg, in The Great Pianists, writes: "It also is hard to escape the notion...

for orchestra and voices by the American composer George Crumb. Harold C. Schonberg of The New York Times said of the work, "Star-Child…is sensitive...

being labelled as 'the Match of the Century'." Richard Roberts; Harold C. Schonberg; I. A. Horowitz & Samuel Reshevsky (1972). Fischer/Spassky: The New...

divided, with some claiming to hear an authentic 19th-century pianist (Harold C. Schonberg wrote, "some critics wonder if Franz Liszt had been reincarnated")...

with her "walking bass" technique and Rupert Chappelle. The critic Harold C. Schonberg described the sound of the theremin as "[a] cello lost in a dense...

as "the new Schnabel",[citation needed] whereas NY Times critic Harold C. Schonberg noted that some critics and specialists accused the pianist of "pedanticism"...

of storyline and structure. In his review for The New York Times, Harold C. Schonberg wrote, "Days of Heaven never really makes up its mind what it wants...

The New York Times. Harold C. Schonberg (August 11, 1968). "Opera: Henze at Santa Fe". The New York Times. Harold C. Schonberg (August 16, 1968). "Music:...