Jon Pareles (born October 25, 1953) is an American journalist who is the chief popular music critic in the arts section of The New York Times. Pareles...

baseball player Jon Pareles (born 1953), American journalist Jon Pertwee (1919–1996), English actor Jon Polito (1950–2016), American actor Jon Rauch (born 1978)...

November 28, 2022. Retrieved December 6, 2022. Pareles, Jon (December 1, 2022). "The New York Times: Jon Pareles' Best Albums of 2022". The New York Times...

Orleans jazz standards though he also composes many of his own pieces. Jon Pareles of The New York Times wrote, "Mr. Ruffins is an unabashed entertainer...

Archived from the original on May 16, 2008. Retrieved November 7, 2007. Jon Pareles, "Jon Hassell with Trumpet and Electronics," New York Times September 21...

Dazed". Dazed. December 13, 2017. Retrieved December 15, 2017. Jon Caramanica and Jon Pareles (December 6, 2017). "The Best Albums of 2017". The New York...

political environment of the 1980s under American president Ronald Reagan. Jon Pareles of The New York Times wrote in his review of the album, "'Document' is...

good song", while the latter "is the virtual definition of a B-side." Jon Pareles of The New York Times said that "Superunknown actually tries to broaden...

Fargo. Their follow-up album, Oh, My Girl was recognized by music critic Jon Pareles of the New York Times on his end of the year list of "2004 albums that...

landed Taliefero a number of press hits. The New York Times music critic Jon Pareles described Taliefero as a "sassy female foil", while Edna Gundersen of...

members of Parliament-Funkadelic. Worrell was described by journalist Jon Pareles as "the kind of sideman who is as influential as some bandleaders," with...

pop product." In December 2019, New York Times music critics Jon Caramanica and Jon Pareles rated 1000 Gecs #1 and #10 respectively in their "Best Albums...

4:22 "The Last Time I Saw Richard" – 4:15 According to the liner notes: Jon Pareles; Neil Strauss; Ben Ratliff & Ann Powers (January 3, 2000). "Critics'...

cool that there's still that song for us. Yeah, it's just a sad thing. Jon Pareles of The New York Times commented that the arrangements on "Nutshell" recalled...

It's the benchmark you measure your album against if you're serious." Jon Pareles of The New York Times described the production, writing "The bottom register...

tracks. Gossard stated that the band members "were ready for a change". Jon Pareles of Rolling Stone wrote: "Apparently as tired of grunge as everyone except...

when he was 16, it yielded the Top-20 hit single "Beat's So Lonely". Jon Pareles of the New York Times described him as "a teen idol singing David Bowie-style...

Content, which was called "their best record since the Seventies". Jon Pareles, in a New York Times 4-star review, declared that [the band] "have reclaimed...

write an explanation in the album booklet. In his review of HIStory, Jon Pareles of The New York Times wrote that the song "gives the lie to his entire...

tenacious groupie that's sent into orbit by a Steve Stevens guitar solo." Jon Pareles, a writer for The New York Times, viewed "Dirty Diana" as a song about...

most rock-inspired song on the album was "Head Like a Hole". Journalist Jon Pareles described the album as "electro-rock or industrial rock, using drum machines...

Q and Isaiah Rashad. "Broken Clocks" was met with critical acclaim. Jon Pareles of The New York Times felt, "'Broken Clocks' enfolds SZA amid blurry...

sometimes subtle, but always a fine backdrop for the power of Dre's voice." Jon Pareles of The New York Times mentioned that the beats were "lean and immaculate...

the song that "hits right in the gut". Writing for The New York Times, Jon Pareles dubbed the film a "musical experience" that heightens the album's "sense...

perfect 10 of 10, particularly praised "So Many Tears" and "Temptations". Jon Pareles of the New York Times called the production a "fatalistic calm, in a...

during his Bad world tour or later concerts. The New York Times editor Jon Pareles wrote that a melody line from "Billie Jean" reappears in this song. Rolling...

SXSW Was a Korean Import". Noisey. Retrieved January 2, 2016. Jon Pareles; Ben Ratliff; Jon Caramanica; Nate Chinendec (December 29, 2015). "All the Best...

percussion and gusty echoes around Ms. Miranda's limpid voice," wrote Jon Pareles in The New York Times. Wheatley is best known for his work with the British...

digest but we never wanted to be part of it." As described by critic Jon Pareles on his review for Rolling Stone, Pearl Jam distances itself from the...

1986 single "Nasty", which also features a distinctive triplet swing. Jon Pareles observed the album's diversity catered to a wide variety of radio formats...