• Larks' Tongues in Aspic is the fifth studio album by the English progressive rock group King Crimson, released on 23 March 1973 through Island Records...
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  • pentalogy. In 2011, PopMatters ranked the first part of "Larks' Tongues in Aspic" as the eighth best progressive rock song ever. "Larks' Tongues in Aspic, Part...
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  • 1973 album Larks' Tongues In Aspic. Over 13 CDs, 1 DVD, 1 Blu-ray, copious sleeve notes and replica memorabilia, Larks' Tongues in Aspic box covers the...
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    Jamie Muir, they reached what some saw as a creative peak on Larks' Tongues in Aspic (1973), Starless and Bible Black (1974), and Red (1974). King Crimson...
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  • Lark's tongue may refer to: Lark's tongue (chamfer), a special type of chamfer end. Larks' Tongues in Aspic, a 1973 album by King Crimson Larks' Tongues...
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  • incarnations of the band. "Larks' Tongues in Aspic – Part IV" continues the series of pieces started on Larks' Tongues in Aspic and continued on Three of...
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  • album, Larks' Tongues in Aspic, with only percussionist Jamie Muir not returning, and is the band's final album with violinist David Cross. In order to...
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    from the original on 7 October 2012. Retrieved 15 December 2008. "Larks' Tongues in Aspic – Canadian Album Chart". RPM. Archived from the original on 16...
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  • entirely new group (except for Fripp) would record the trilogy of Larks' Tongues in Aspic, Starless and Bible Black and Red between 1973 and 1974. This is...
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  • Jamie Muir (category CS1 maint: others in cite AV media (notes))
    Larks' Tongues In Aspic (the title of which was coined by Muir; when asked by Fripp what the music sounded like, Muir responded "why, larks' tongues in...
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  • recorded Larks' Tongues in Aspic. These improvisations are documented as "Fallen Angel" and "Fallen Angel Hullabaloo" on the Larks' Tongues in Aspic: The...
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    sacred–profane dichotomy while being a simplified version of the Larks' Tongues in Aspic cover; a rising phallic object represents a male solar deity about...
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    album Larks' Tongues in Aspic, Muir abruptly left King Crimson to pursue Buddhism. The remaining four-piece issued Starless and Bible Black in March 1974...
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    John Wetton (category Deaths from colorectal cancer in England)
    to commemorate the 40th anniversary of the King Crimson album Larks' Tongues In Aspic. Wetton also worked extensively as a session musician with such...
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  • Richard Palmer-James (category English expatriates in Germany)
    days in the band but not recorded until their 2002 album Slow Motion. Palmer wrote lyrics for three of King Crimson's albums: Larks' Tongues in Aspic, Starless...
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  • studio albums Larks' Tongues in Aspic (1973) and Starless and Bible Black (1974), as well as "Providence", a live track on Red (1974), in addition to live...
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  • on to Glasgow" - 0:48 "Sharks' Lungs in Lemsip" (Cross, Fripp, Wetton, Bruford) – 2:30 "Larks' Tongues in Aspic, Part One" (Cross, Fripp, Wetton, Bruford...
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  • album, it is present on all releases. Jobson plays violin on “LarksTongues in Aspic (Part II)” and “21st Century Schizoid Man”, and Fender electric...
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  • November 25. The video of this performance is included in the deluxe "Larks' Tongues in Aspic" box set. "The Rich Tapestry of Life" (Bill Bruford, David...
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  • in Fallen Angel is an arpeggio by Robert Fripp, part of an improvisation performed by five members during the recording of Larks' Tongues in Aspic in...
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  • (1970) Tracks 10-11 from Islands (1971) Total Running Time - 67:47 "Larks' Tongues in Aspic (Part I)" (Bill Bruford, David Cross, Fripp, Jamie Muir, John Wetton)...
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    percussionist Jamie Muir was in the band as highly influential on him as a player. Bruford is featured on Larks' Tongues in Aspic (1973), Starless and Bible...
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    they progressed: beginning with Larks' Tongues in Aspic, progressing with Starless and Bible Black and culminating in the benchmark avant-power trio album...
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  • and 2.7 Kelvin. "In Re Con Moto Et Al" by Charles Ives uses 11 8. "Larks' Tongues in Aspic, Pt. 1", by King Crimson. The song is in 5 8 when the violin...
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  • broadcast circulated among fans. The concert began with a version of "Larks' Tongues in Aspic (Part I)", a recording of which has never been found. Some bootlegs...
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  • The Power to Believe (category CS1 maint: others in cite AV media (notes))
    and final entry in the "Larks' Tongues in Aspic" suite, which began with parts one and two from the 1973 album Larks' Tongues in Aspic. Lindsay Planer...
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  • 3:54 Recorded at: Stadthalle, Offenbach, Germany, 7 June 2000 "Larks' Tongues in Aspic (Part IV)" (Belew, Fripp, Gunn, Mastelotto) – 12:51 Recorded at:...
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  • (Belew) – 0:40 "Potato Pie" (Belew, Fripp, Gunn, Mastelotto) – 5:03 "Larks' Tongues in Aspic (Part IV)" (Belew, Fripp, Gunn, Mastelotto) – 10:26 Including:...
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  • influence. Some early examples are the King Crimson releases Larks' Tongues in Aspic and Red in 1973 and 1974 respectively, with the latter album's title...
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  • Crimson releases Larks' Tongues in Aspic and Red in 1973 and 1974 respectively, and the 1976 Led Zeppelin album Presence. The genre emerged in the early 1980s...
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