Schenkerian analysis is a method of analyzing tonal music based on the theories of Heinrich Schenker (1868–1935). The goal is to demonstrate the organic... 72 KB (9,826 words) - 08:34, 3 May 2024 |
meant to simplify the music for you. Schenkerian analysis Schenkerian analysis is a collection of music analysis that focuses on the production of the... 22 KB (2,509 words) - 23:50, 25 April 2024 |
This is a glossary of Schenkerian analysis, a method of musical analysis of tonal music based on the theories of Heinrich Schenker (1868–1935). The method... 15 KB (1,731 words) - 08:46, 30 July 2023 |
distance between them together define the scale they are in. In Schenkerian analysis, "scale degree" (or "scale step") translates Schenker's German Stufe... 10 KB (659 words) - 17:31, 2 March 2024 |
built on the lowered (flatted) second (supertonic) scale degree. In Schenkerian analysis, it is known as a Phrygian II, since in minor scales the chord is... 26 KB (2,925 words) - 21:49, 4 April 2024 |
Music theory (section Analysis) Schenkerian analysis is a method of musical analysis of tonal music based on the theories of Heinrich Schenker (1868–1935). The goal of a Schenkerian... 116 KB (13,480 words) - 23:12, 8 April 2024 |
Strongest Overlapping can refer to: "Reaching over", term in Schenkerian theory, see Schenkerian analysis#Lines between voices, reaching over Overlay (disambiguation)... 1 KB (199 words) - 06:14, 17 October 2023 |
Voice leading (category Schenkerian analysis) form one of the most essential aspects of musical composition. (See Schenkerian analysis: voice leading.) Western musicians have tended to teach voice leading... 22 KB (2,293 words) - 15:05, 14 March 2024 |
Prolongation (category Schenkerian analysis) It is a central principle in the music-analytic methodology of Schenkerian analysis, conceived by Austrian theorist Heinrich Schenker. The English term... 18 KB (2,368 words) - 07:06, 8 February 2024 |
"The case in which an immanent analysis is equally relevant to the poietic as to the esthesic." Schenkerian analysis, which, based on the sketches of... 35 KB (4,042 words) - 20:15, 7 March 2024 |
Fundamental structure (category Schenkerian analysis) In Schenkerian analysis, the fundamental structure (German: Ursatz) describes the structure of a tonal work as it occurs at the most remote (or "background")... 9 KB (1,122 words) - 08:14, 3 May 2024 |
Structural level (redirect from Middleground (Schenkerian analysis)) In Schenkerian analysis, a structural level is a representation of a piece of music at a different level of abstraction, with levels typically including... 3 KB (363 words) - 20:18, 1 July 2017 |
Piano Sonata No. 18 (Beethoven) (section Analysis) depths of emotion.[citation needed] Roger Kamien has performed a Schenkerian analysis of facets of chords of the sonata. The sonata consists of four movements... 6 KB (575 words) - 14:51, 13 November 2023 |
Voice exchange (category Schenkerian analysis) In music, especially Schenkerian analysis, a voice exchange (German: Stimmtausch; also called voice interchange) is the repetition of a contrapuntal passage... 6 KB (862 words) - 11:06, 18 December 2023 |
hierarchically (for example by Heinrich Schenker (1768–1835, see Schenkerian analysis), and in the (1985) Generative Theory of Tonal Music, by composer... 61 KB (5,951 words) - 09:54, 12 April 2024 |
Heinrich Schenker (category Schenkerian analysis) had a profound influence on subsequent musical analysis. His approach, now termed Schenkerian analysis, was most fully explained in a three-volume series... 54 KB (7,321 words) - 13:01, 9 May 2024 |
Felix Salzer (category Schenkerian analysis) followers of Heinrich Schenker, and did much to refine and explain Schenkerian analysis after Schenker's death. He was born in Vienna to Max Salzer (a doctor)... 4 KB (464 words) - 09:59, 27 April 2023 |
"The Fantaisie–Impromptu: A Tribute to Beethoven", in Aspects of Schenkerian Analysis, David Beach, ed. Yale University Press, 1983 ISBN 0-300-02800-8... 9 KB (985 words) - 07:31, 2 April 2024 |
developed by Eugene Narmour as an alternative to Schenkerian analysis centered less on music analysis and more on cognitive aspects of expectation. The... 7 KB (1,054 words) - 15:30, 3 May 2023 |
Blom, ed. Beach, David; Mak, Su Yin Susanna (2016). Explorations in Schenkerian Analysis. Boydell & Brewer. ISBN 9781580465595. Der Freymüthige [de] vol.... 53 KB (6,236 words) - 15:56, 21 April 2024 |
In Schenkerian analysis, the bass arpeggiation (German: Bassbrechung) is the bass pattern forming the deep background of tonal musical works. It consists... 2 KB (170 words) - 11:37, 28 May 2017 |
Chew, Elaine; Turnbull, Douglas (eds.). A Framework for Automated Schenkerian Analysis. ISMIR 2008: Proceedings of the 9th International Conference on Music... 11 KB (913 words) - 09:30, 12 February 2024 |
Linear progression (category Schenkerian analysis) In music, particularly Schenkerian analysis, a linear progression (Auskomponierungszug or Zug, abbreviated: Zg.) is a passing note elaboration involving... 4 KB (440 words) - 09:03, 18 January 2024 |
construct, including deep structure. According to Middleton (1990), Schenkerian analysis of music corresponds to the Chomskyan notion of deep structure, applying... 9 KB (1,083 words) - 08:41, 21 April 2024 |
Klang (music) (category Schenkerian analysis) 1903. Solie, Ruth A. (1980). "The Living Work: Organicism and Musical Analysis", 19th-Century Music 4/2, p. 151. The term Naturklang is also attributed... 17 KB (2,209 words) - 10:32, 3 August 2023 |
Harmony (Schenker) (category Schenkerian analysis) Harmony (German: Harmonielehre, or "Theory of Harmony") is a book published in 1906 by Heinrich Schenker. It is the first installment of Schenker's three-volume... 2 KB (311 words) - 21:15, 14 December 2020 |
Peter Westergaard's tonal theory (category Schenkerian analysis) Peter Westergaard's tonal theory is the theory of tonal music developed by Peter Westergaard and outlined in Westergaard's 1975 book An Introduction to... 7 KB (973 words) - 16:43, 16 February 2022 |